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Anatomy and physiology of life Poetry and prose from the heart. The free mind of a human god!

As the flower and the bee and the sunlight…

“The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.”  ~ Albert Camus; French philosopher, author, and journalist.


“The whole secret of existence is to have no fear.  Never fear what will become of you, depend on no one.  Only the moment you reject all help are you freed.”  ~ Swami Vivekananda.



To be an individual is to be mentally free to be absolutely curious and investigate life’s deepest meanings on your own, not collectively but as a divine and unique individual with thoughts and insights of his own, always elevating and opening doors of discovery into Creation itself.

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Nature does not seek or rely on others for its own development, to find its purpose for existing; and so, flowers and the bee and sunlight do their work individually without expecting anything from the other (the ego seeks and expects, but the heart does not), and thus they are individuals who love for the sake of expressing themselves, and that makes each one of them free and unique.  Learn from Nature then.

 

To become aware is not in the intellect, how much information you have, or how interesting, deep and sharp your thinking is; but to become aware is to have an intimate and profound connection to your inner self, to your pure heart, to Infinite Intelligence, where you can see beyond the world of form and understand deeper constructs or meanings to better your own human existence.

Wisdom then becomes one with the path, and the flower and the bee and the sunlight one with you as you work in the world and express yourself by pure heart and not by mere thought.


So, the path becomes the constant realization in the journey of the awakened one; and thus, the awakened one becomes more and more awakened in every step he takes, because now he knows the meaning of his own existence in the world–such meaning which expands and grows even deeper and much more significant as he becomes more awakened through the time of his journey here on earth.

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Life is a magical journey to awaken yourself as a divine individual, not a destination where you remain asleep and follow the masses wherever they go.

 

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Anatomy and physiology of life Poetry and prose from the heart. The free mind of a human god!

The place for all.

“Heaven is under our feet as well as over our heads.”  ~ Henry David Thoreau; American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian.


“He who is kind to animals heaven will protect.”  ~ Buddha.


 

The place for all

Beyond wild thoughts and ignorant beliefs,
Beyond all your petty misconducts and mental illnesses,
There is a greater field of cosmic understanding
Which resonates beyond our Heaven and Hell.
This place knows not of birth and death,
This place is the silence of Creation itself,
This place is where we shall meet without barriers.
When the bird sings, the dog barks, the person talks.
When the winds whistle, the storm shouts in anger.
A space between the noise and the beat of the heart.
Between you and me where it goes far into deeper Nature.
Sunrise and Sunset live in this Conscious substance,
They carry the whispers of our immortality,
Where we become one and thought does not perturb,
Where you and I do not exist and where peace unites us all.
Springs the illusion of Heaven and Hell, of a dual existence,
Where there is only sleep and no one sees but dreams.
This is the abyss of difference as the wars rise.
You must wake up, see the horizon as beautiful as I see,
That beauty is the only constant, and we are in this together.

~ Asa

 

All creatures large and small, intelligent and less intelligent,


 

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Anatomy and physiology of life Business mind. Poetry and prose from the heart. Self-help life truths. Stories to ponder.

Under the moon.

“Men are like the earth and we are the moon; we turn always one side to them, and they think there is no other.”  ~ Olive Schreiner; South African author, anti-war campaigner and intellectual.


Under The Moon

Our hearts dance Under The Moon so bright,
Angels sing as we hold each other tight,
Enjoying the experience of the eternal moment,
Two best friends and two lovers without comment;
Our eyes communicate what our mouths cannot utter,
Our ears listen to the sweet music of the river’s flutter.

Up into the mountains and away from the crowds,
Staring up into the heavens with no clouds,
We came through the path full of tree leaves,
Crossed the valley and passed the farm’s sheaves;
Seeing the open skies Under The Moon,
We sat upon the heart-shaped trunk hewn.

Blood within us boils as our hands gently touch,
For we connect in great measure so much,
For there are no words to describe our care,
The feeling so magical like walking on air.
And Under The Moon we become one soul,
Love shines through from within us as the goal.

~ Asa.

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Anatomy and physiology of life Business mind.

The Fountain.

“First comes thought; then organization of that thought, into ideas and plans; then transformation of those plans into reality. The beginning, as you will observe, is in your imagination.”  ~ Napoleon Hill; American self-help author.


“With ideas it is like with dizzy heights you climb: At first they cause you discomfort and you are anxious to get down, distrustful of your own powers; but soon the remoteness of the turmoil of life and the inspiring influence of the altitude calm your blood; your step gets firm and sure and you begin to look for dizzier heights.”  ~ Nikola Tesla.



The energy of ideas comes to us from Infinite Intelligence and our ego molds it into a concept or belief, an image or strategy; therefore, this essence of creativity is divine and gives us the responsibility of forming inspiring and wise thoughts with it.

Sadly, most people do not recognize this, and so they create contention and prejudice, religious and cultural enmity, self-destructive behaviors, and the rest, with the god-given energy of their minds.

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Imagination then comes to us as the greatest form of inspiration and fuel to create happiness and so reach great things in our individual lives; and this is why is so important to feed our mortal minds properly, to be ready and offer the right atmosphere, to shape ideas and all thought-forms to aid humanity, not to pity ourselves and others but to raise above mediocrity and reach higher states of thought.

 

Imagination is what we are, is indeed what allows us to move freely, think freely and create; however, our mortal, biased egos, can take that imagination and build beauty as well as misery, and thus bring that into the world. 

But we are above all pity and nonsense from a massive and misguided ego, and the key to realize that lies in the wisdom buried deep inside us; therefore, the wisdom which can help us create, innovate, move our own lives forth with nobility and success, with happiness and a greater love towards ourselves and the world.


Remind yourself daily that life is the playground where you shape ideas and create your life. 
The understanding of this will help you honor great ideas.

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Anatomy and physiology of life

Spirit of the scenario.

“Drama is life with the dull bits cut out.”  ~ Alfred Hitchcock.

‘Drama’ is indeed derived from the Greek word for ‘Action.’  Drama in your story must be like your life, without the boring parts–for example, you are waiting for the bus, which is boring and has no point of tension, so in your work that part must be taken away and not showed at all, unless something of drama extremely conducive to the story is added.  Then, of course, the essence of drama is crisis; however, there is two kinds of crisis, “the hero crisis,” and “the natural crisis.”  The hero crisis is, for example, in “Mission Impossible” or “Batman,” where the hero has great abilities, sometimes fantastical and superhuman, something that you do not experience every day in your own life. The natural crisis, for example, in “Office space” or “Manchester by the sea,” where the main character or characters have really normal lives like you and me, but something happens in their normal lives which turns into drama and tension, maybe a bit of chaos and lessons from the story’s character development the audience can learn from.
So, when you are involved in your writing or somehow creative endeavor, remember that drama must keep some kind of tension to grab the audience’s attention, and this at all times; whether little tension or beastly tension, and whether a roller coaster of tension, drama is all tension, the action which absorbs the attention of the viewer or reader.  And I repeat the word ‘tension’ because this is a MUST DO in any creative endeavor.  Also, remember that you can pick between the two crisis to make tension fit in your story and genre; this reasonable and wise choice will make your story stand out and create reality, even if it is a fantastical story–i.e., reality is about how well the details and the carrying out of the story is evoked in the mind of the viewer.
A great formula for explosive drama is this one:  When it comes to the situations or the plot of the story surrounding the protagonist–  As the protagonist in your story, for example, becomes less active and more passive, less certain of his inner strength and positive purposes, so it is the ambitions, the behaviors, the wickedness and intentions of those who surround him who now have another characterization in your story.  The common compromise here is when the protagonist appears undecided and emotionally deterred for the first three quarters of the piece or art, but then that same protagonist is forced into a definitive commitment in the final quart, a positive action.  The protagonist goes through all this hardships and struggles within himself so he can learn strength and wisdom to conclude in a positive note–for example, one of my favorites, as in Rocky, where he is a nobody and really feels like a nobody, but at the end gets inner strength and great love to finalize as a champion off the hard streets.
But more complex and hard to understand for the ‘Unsophisticated audience’ is the drama where the completely passive, undecided and purposeless protagonist does not have any major change of heart.  There is always danger of this kind of story not being too popular for the masses; but, on the other hand, there is a depth here that the avant-garde types or more ‘Sophisticated audience’ will admire as true artistic innovation, mostly because it manages to avoid the obvious and delves into the deeper, emotional issues of the human being, as in “The mirror” (1975 Russian film) or “The seventh seal” (1957 film)–i.e., these films, are more philosophical in nature and try to delve into the experience of being human, the beliefs, the judgments, the essence of the mental and emotional conflict these movies, as well as books since it is about all stories in any art form, invite a lot of questions; they do not sermonize nor belittle any specific demographic but instead, it just state different opinions and let’s the audience discuss its deeper meaning and the meaning they will take away for themselves.
So whatever is your drama type, always remember tension and adapt the action to your story.

Drama is a word derived from the Greek word for 'Action._Whatever the plot or the genre is the tension must be continuous.


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Anatomy and physiology of life

Light of the story.

“I think the best stories always end up being about the people rather than the event, which is to say character-driven.”  ~ Stephen King, American author.


 

As you start to plan a story in your mind, a powerful desire to create rich plot and characters is born, something which can get your interest and burn passionately inside you, to thus motivate you to do your best all the way through the story, from start to finish but to enjoy the creative journey.  A very wise and professional way to do this and be successful at any form of storytelling, indeed emotionally connected, is to mentally personify key elements in that story, to pour and spread yourself in that story; therefore, the most important aspects of that story will be enriched if you write about things and experiences from your own life, and if each character, or at least the main character, has some features belonging to your persona, in order to make the story emotionally rich and real to the reader or audience.  Because there is no more emotion and reality you can talk about than the ones in your own persona and experience.

If you wish to create a character that is really different from you and that has no qualities which can be found in yourself, this is fine also if you have some experience watching people and understanding the psychology of others so you can make this new character pop up in your story; however, your main character (protagonist) will make or break your story, no matter how good the plot is and how much fantasy or action there is, so you will have to extend yourself into this particular character, embody this character in the flesh, know how he thinks and feels, his beliefs and his intentions (you must do this with all characters in your story, but most importantly with your main one).  This is the key to your story’s success, so do not ignore it.

 

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In the world of film-making, screenwriting mostly (the story’s true creator), it has been stated that invention is often memory in disguise.  And this means that true emotion and connection shall emerge from something you know by heart, perhaps some hint of a experience you had or some trait you have gained from your past.  See, the writer must perform in his mind, be God and be everywhere, rapidly shifting points of view that look at different characters at different moments.  The point here is to create something rich which can really move you and build a passion in you, and at the same time create something which can also move the audience and connect them to you through your work; but, obviously, if you are not successful in this process, it does not matter the wonderful scenarios depicted in your work, your art will suffer and people won’t connect to it.

I have written a screenplay, in early states of production now, called: “Michael Vega: Loose Damned.”  And for the purpose of demonstrating further, I would like to share some lines here.  I have written the main character, Michael Vega, based on me, or at least some traits:

FADES INTO BLACK, we hear rattling of chains and screaming.

EXT. ENTRANCE OF CREEK – MOMENTS LATER

The same disheveled and burned-up man comes out crawling from the quiet waters, breathing heavily while in pain.  He staggers up, looks around confused and lost.

CAMERA FOLLOWS FROM MAN’S POV, right side straight into emptiness, then left side to overlooking empty road.  On post, he sees a sign:

ASHFORD COUNTY LAKE.  HEBER 20 MILES.

Michael (V,O- Voice Over)

           “Hi, my name is Michael Vega.  That much

          I do remember…  And I’m not ordinary nor

          pathetic…”

CAMERA SHOWS HIS FULL FACE AND TORSO NOW, he looks 35 years old, wears the cool black, face significantly scarred.  He limps to rock and sits, sees visions (flashes) of flames and hears chains rattling, cackles and slaves being whipped.  Flashes stop and he agonizes in silence.  Clutches head.


(Side note:  A little explanation.  Notice how Michael is depicted here; this is basically me, because I am also 35 years old now, love wearing black jackets, and Michael also has endured a tough and “hellish” life, just like me in my real life.)


Continues…

Michael (V.O)                       

          “I did something not many do to get here.

          I’m looking for someone.  But this is all

          I will tell you for now, you don’t need

          to know more.  Just remember, I’m not

          ordinary nor pathetic.”

CAMERA PULLS OUT AND FADES IN TO BLACK, all silent except for rattling chains and screams of pain.

EXT. PAVED ROAD – SAME DAY

CAMERA FOLLOWS MICHAEL’S POV, only his heavy breathing and pained grunting are heard.  Straight view of the overlapping empty road, we see nothing but pavement, clear skies and side empty fields for a while.

CAMERA’S ANGLE CHANGES DRASTICALLY, now we see the road and his ominous shadow limping for drama scene, exhausted, about to…

6.

CAMERA SHOWS HIS SIDE BODY COLLAPSING, then zooms to face on the ground.  Centers on eyes squinting and bleeding blood.

CAMERA PULLS OUT AND FADES IN TO BLACK, all silent except for rattling chains and screams of pain…

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Magic Book.”

Characters, plot, subplot, tension;
All human experience, emotional connection.
What does magic have to do with storytelling…??
Well, it is all about creating worlds, human compelling.
And why does it have to be richly character-driven…??
Because rich characters create that world, that is a given.
Great movies show and then tell, never the other way around.
Excellent novels free the mind to dream and become spellbound.
I find stories and things coming alive wherever I look,
As soon as I wake up I get lost in my magic book.

~ By Asa Rodriguez

 

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Anatomy and physiology of life

The genius of storytelling.

“The fact of storytelling hints at a fundamental human unease, hints at human imperfection.  Where there is perfection there is no story to tell.”  ~ Ben Okri; Nigerian poet and novelist.

 

Storytelling is, plain and simple, ALWAYS, a performing art. You cannot be a great storyteller if you are not able to build great scenarios in your mind’s eye and specifically direct the scenes with protagonist and antagonist.  You could be a professional writer film-maker, actor, or any other, but you will never connect with any audience at a deeper human level, or bring extraordinary success to your life and craft, if you cannot arrange and control these creative energies in your mind to design incredibly moving scenarios as a great performer.  Steven King, Spielberg, Leonardo da Vinci, Mozart, they all present this creative power of performing in their minds, they arrange and position every scenario, whether is a moving picture or a still picture–it is all a story, because if it is not a story then it won’t create really deep emotion when the viewer or listener enjoys the art form.

In order to be truly creative genius, real talent which gets to the heart of the public, and, obviously, to the heart of the creator in the first place, there must exist face-to-face experience; however, this experience of the genius creator is not merely the experience of the outer environment, but it is the experience lived in the moment and created by the incredibly powerful mind’s eye.  The performance in the mind of the creator must be pristine and real, it must engage all your emotions and take over the very essence of your cellular composition, and it must feel like you are really there in the scenario and it must answer the questions you open with each movement in your mind; because if you cannot answer those questions, then, the public will not be able to answer them later, they will just walk away due to no deep human connection, specifically due to no INDIVIDUAL CONNECTION.

Extraordinary storytelling is mainly the direct or indirect sense of tension between storyteller and listener/ public, it does not matter the form of storytelling and it does not matter the genre of the story.  See, storytelling is the profound understanding of when tension is growing, remaining leveled, and when it is slackening; hence, if you are not keen or master of this process, chances are, you will not be very good at expressing yourself and connecting to people through the great art of storytelling, even though your intentions and wishes to connect may be heartfelt. 

 

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Storytelling is seizing the imagination of the audience in a subtle and/or unsubtle way, but always swiftly keeping tension and opening questions in the mind of this same audience, and this art is also connection through the screen, painting, or piece of writing.  That’s all it is.  Raw and uncut, flawed and human; because extraordinary storytelling gets close to life and we must take from it something to elevate the human spirit or to at least give us some meaning of something important to us.  Flawed and human, raw and uncut, I said, because human life itself is flawed as well; therefore, whoever seeks perfection in their art is not a true artist, due to true art being life and life being true art.

In this great art of the human experience, digressions and elaborations, your own twist and turns and individual mannerisms, are welcomed and suggested always; but, and you must pay attention to this very well, first you have to make sure the audience is hooked by the promise of something to come or some form of tension already created.  You as the creator and master storyteller cannot assume that the reader or audience will be as interested as you are in your art form, so you must project a deeper experience with some form of tension first, and once they are involved emotionally or hooked to your story then you can elaborate crazy characters and twists and turns.  This is the golden rule of all genius storytelling.

Being a master of storytelling is more than just creating art in the professional life, but it goes to the everyday life of the human being as well, for stories are all around us and they are what make human experience of value.  As a master storyteller you will connect deeper and create opportunities for yourself, motivate yourself and others to reach whatever is of importance, and emanate a sense of love into the world.

Because, remember, storytelling is life itself, and life is storytelling itself.

 

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Storytelling has amazing effects in the physical brain, because storytelling is the projection of real experience in the mind and body of the creator, and of the listener as well.  Effective storytelling elevates the human spirit, and it creates real experience which may as well sharpen the mind.

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Anatomy and physiology of life

Freedom of The Muse.

The position of the artist is humble.  He is essentially a channel.”  ~ Piet Mondrian; Dutch painter.


 

Many people who try writing creatively, even so-called “experts”, or any creative pursuit which involves great muse and motivation from the subconscious energies of the human being really, made the mistake of thinking more and using freely flowing imagination less.  And I suspect this is the main reason people have designed this “Writer’s Block” that is affecting most of the world’s creativity process.  Intelligence is a tool we have to criticize and analyze, to discern what is good and what is not; however, intelligence is just that, a tool, and shouldn’t get in the way of deep and great creativity, or in the way of the wonderful creative process which emerges from beyond our intelligence or intellect–i.e., which emerges from beyond the conscious, analytic mind of man.

See, the creative process involves forming wild and fantastical images, sensory, emotional and highly intuitive data in your mind’s eye; so, this must be richly loaded with free range of colors, ideas, textures, environments, situations perhaps outside of what is “normal”, etc., and therefore there is no room for the rigidity of analysis or critics–because analysis or critics may destroy the rich creativity.  Creativity must run free and inspirational, not be tied down to a certain way of society or to a rule of creation aspect.  See, using psychology and some ideas extracted from the world of thought and shape we all know is fine to give some structure to the creation itself, but this structure means limitation and rules, so the real creativity comes before all structure and rule take place, and it does not come to your mind forced by you.

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The process is not something you force like you force a thought created by a desire, but it is crucial to understand that you have to sit down and free your mind from the imposed rules and expected shapes of a narrative and characters; so, do not worry about what is strategic and real when you create a story or a character, specially when writing a screenplay (because screenwriters are mostly tied down by structure and rules), because that can come later when doing the editing work.  First you have to lose yourself in imagination, lose all inhibition and fear of messing up, without the impositions of your mind criticizing and analyzing your every mental move.  Respect the uniqueness of your higher mind (the subconscious) by letting it create apart from the noise and constant chatter of your monkey mind (your conscious).

A highly creative story is about emotional connection, perhaps of fantastical themes depending on the genre, it is about designing a new paradigm and way of experiencing in people; so, if the writer created with impositions and rules, then, the “magic” for people reading the writer’s work is gone, the substance made out of your deeper imagination is gone, marred by the rules and impositions your analytical mind has created.

Have this mentioned thought in mind whenever you sit down to write anything creative, or whenever you paint, because if you do so it will save you a lot of mental energy being wasted and stress being pushed into the process.

 

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Anatomy and physiology of life

The dark cloud.

“What I try to do is write.  I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’  And it might be just the most boring and awful stuff.  But I try.  When I’m writing, I write.  And then it’s as if the muse is convinced that I’m serious and says, ‘Okay.  Okay. I’ll come.’”  — Maya Angelou; American poet, memoirist, and civil rights activist.

 

     “Writer’s block is a condition, primarily associated with writing, in which an author loses the ability to produce new work, or experiences a creative slowdown.  The condition ranges in difficulty from coming up with original ideas to being unable to produce a work for years.  Throughout history, writer’s block has been a documented problem.”  Jesus Christ!– They make it look like is some dying of brain cells or some serious and irreversible condition!  I have to say, when I read this in Wikipedia I couldn’t believe how much fuss they have made over it, and this is exactly why most people see writer’s block as a real condition, like having the flu, or a stomach virus, or, even worse, a serious breathing problem or some type of mental disease or even a cancer.  But, remember, what you think you become, and what you think constantly about your mind creates as reality.  Reality in your life is what your mind says it is, because as you think you start believing; hence, once you start believing something, the cellular make-up in your body produces the chemicals and the sensations your body and your mind design in you as what you call writer’s block.

As a really serious writer and deep thinker, this is a very important topic for me personally; because at some point in the beginning of my career I also thought (because of all the fuss they keep making about it) that I would suffer this from time to time, and I have walked out of my computer desk just because I thought writer’s block was something real and that I had to rest my brain for a few days to heal and be ready to welcome the muse again.  But, in reality, I discovered that it is just a trick of the mind, like the fear we may experience in life or the anxiety we create just by thinking about the things that can go wrong in our life.  Furthermore, it is the pride we feel in writing something superb and excellent from the first line, we want that feeling of knowing that the writing is great from the get-go, we want to know that we are great in the first stroke of the pen or key-stroke of the computer; hence, it is not a real condition of the mind but the fear and impatience of creating something marvelous in the first page.  And that makes it all kept under our control, and we do not have to walk out of the desk whenever we feel this, and even lose days without writing.

writer6

 

So, it is worth noting that which is understood at this point, that the muse or essence/power of writing is not on waiting for something divine to present itself into our minds, but the key is to demand it passively because it is our right and gift as human beings, it is essentially creative energy in our consciousness (in the consciousness of the garbage man as in the consciousness of the professional writer; however, this creative energy is more pronounced in the writer due to the mental practice and the living we make out of using it every day). 

Now, as professional and serious writers we have to push through the lethargy and boredom of watching the blank page, just like the marathon runner which does have to actually start running to achieve his goals of competing in the marathon and accustom his muscles to be great at it, even though he might not feel the energy to run that particular morning.  It is all about starting, even though you might not have great thoughts to start writing, even though you might not have all the details of the character or the scenery in your mind’s eye, even thought you might not have a specific path for your story or character, even though you might not have an idea to create your character, and even though you might start writing uninteresting nonsense about your story, so I repeat, IT IS ALL IN STARTING SOMETHING, your job is to write, period, so write without excuses.

While you start your writing perhaps not very interestingly, it will develop itself, ideas will start coming to you because then your conscious energy will be attracted by your commitment and strength of will (the traits of the true leader); therefore, this energy or muse is yours for the taking, and if you do your part then it will follow your wishes to succeed in your writing venture.  You are the master and leader, the muse is your servant and follower; however, most writers think that they are the servants and followers of this so-called muse, just waiting for it to strike and make its appearance, just hoping to allure this substance of creativity by not chasing it and by praying that it comes on its own.

The muse or creative energy does not come to you from the conscious mind, even though we use the conscious to mold ideas and structure story plots; it comes from the subconscious, which is where imagination comes from, and we have heard many great artists say that they have gotten great ideas and art forms from their dreams and from taking nature walks–i. e. being one with this divine energy which belongs to each of us, but we need to embrace it and claim it if we are to use it to our own advantage.  But, as it is, the ego (the lazy, dual and all-confusing, monkey mind) lives in the conscious mind, and this ego we can experience it more when the mind tries to wait for a “stroke of genius” to come on its own, if you will; and so it is this ego-substance which tells us that we have writer’s block, and which tells us that we are not ready to write something creative and interesting, and which tells us that we cannot come up with anything to write about.

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To make it shorter, we can beat the ego by “taking the bull by the horns,” as they say, by being our own leader and demanding the right to creativity; this is done, in my own experience, by brainstorming on a piece of paper about characters, scenes, story plots, emotional and psychological content, story messages and impressions you want to express, whatever you want to write related to your story.  This is also done by writing whatever you have in mind at the moment, because, the more you stare to that blank page, the more confusion and fear of writing your ego will communicate to your mind and body.  Besides, remember, the real story-telling is not in the clarity and strength of your first draft, but it is in the editing; thus, the editing makes the story attractive because you are clearer in your vision, but for this clarity to come and appear you need a first draft (it does not matter what it looks like).

So, keep writing without being a perfectionist, which kills the art; see, true art is not about perfection, but true art is about human vulnerability and emotional expression.  This moves people, it connects people.  Nobody on earth is perfect, so perfection does not connect people, it distances people and it distances you from your real art.  Do not be afraid of writing and developing ideas.  You are in command if you wish to be and start writing patiently but steadily.  Rome was not built in a day.

 

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Categories
Anatomy and physiology of life

Biology of the pen.

“Writing means sharing.  It’s part of the human condition to want to share things–thoughts, ideas, opinions.”  ~ Paulo Coelho; Brazilian lyricist and novelist.

 

Throughout history, without exceptions, man has always felt the necessity to express himself, as part of his biology and as a way to know himself and his innermost thoughts and feelings; because keeping them inside only makes the human experience not worth it, for human beings are a collection of billions around the world with different beliefs and experiences, but in essence, beyond all thought and form, we are all really one and that is why we struggle to express our current human individuality through various forms of expression.  So the urge is spiritual or coming from the energy which makes this human form and thought we carry around, and we transform this urge into writing, painting, sculpting, filmmaking, photography, dancing, performing, the act of sex, violence, arguments, relationships, sports, etc. etc.

Writing and the development of writing is specially freeing to me because it allows me to know myself in detail, I get to look deep within me and find everything and anything which makes me who I am as a human expression, everything and anything which creates my thinking and feeling, and so I get to experience how my thoughts arise and fall and how my emotions flow constantly up and down like a roller coaster.  Pouring your thoughts and emotions give you absolute freedom and power over yourself, because writing is a detailed form of expression; and besides that, it is creative, no matter what you write if it comes from your heart, and creativity is the only outlet to manifest the past, present, and future of our perspectives in this life, and creativity is what flows all around us and within us.

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Writing is a most influential way to communicate and wake people to other views and realities, as people tend to create their own views and realities so it is essential to understand and absorb the experiences of others in order to better ourselves and widen our mental horizons.  Quite often, more than we would like to admit, one feels overwhelmed and confused by superficial thoughts and stresses of ever day, so in this way it is very important to observe our inner condition and let it all out through the sharing process.  At the physiological and also psychological levels, we need to take care of our mental frustrations and stressful data overflowing our nerves, which has a giant effect on our immune system.

In order to avoid illnesses of the mind and of the body, being creative and self-expressive in our writing are two things that must go hand in hand; opposite to this, if we repress one or the other within us and negate of either its existence, then, we will clutter inside and become filled by all this–i.e. no real creativity is expressed from us, and so this will cloud our rationality and influence our thoughts and behaviors towards our own selves and towards others, this will then bring much suffering into our relationships and into all endeavors in our life.

We need to be open with ourselves and honest with ourselves, because in this self-absorbed society, where everyone is rushing everywhere, there is no knowledge of self to taste real freedom; and, through creative and self-expressive writing you can achieve to motivate others to taste that same freedom and/or learn from your own experiences, connecting thus all humanity and bringing a higher conscious awareness.