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Self-help life truths.

Warrior’s strength.

“No legacy is so rich as honesty.”  ~ William Shakespeare; English poet, playwright, and actor.


It is well known that life is pressure and stress quite often, and so you might feel like concealing something from yourself and from others.  Perhaps like in school, when children, telling yourself you’d do homework later after the video games, when you had your friends coming over to play with you and so you knew that you wouldn’t have time to do homework later, or even have a desire to do so later.  Just kids, right?

But that kid grew up.  And you must take responsibility for your actions now, good ones and not so good ones, and you must embrace every little thing that happens.  This is the mature and strong kid still in you, now grown up, experienced, but still a creative kid that has to embrace imagination and solve problems and accept those challenges with a positive attitude.  The attitude of the master of your life.

Absolute honesty means a free mind and an unpolluted heart, and it is the very core of the truly awakened one. See, if you must hide anything or trick others, deceive yourself and keep yourself tied to a belief deep inside you know to be nonsense, then, it is a lack of confidence and self-love that is ruling your inner being.
Subconsciously, something has taken your reality captive, you are not totally free and you need to make up your own reality, while affecting others. This is deceiving yourself, distancing yourself from all light, bringing more suffering into your life (perhaps without your own knowledge).

You must accept who you are with your flaws and strengths, with your failings and achievements; otherwise, you are just running away from the present and from the real you (where you can certainly find utter bliss).
And you are allowing yourself to grow your ego and create more dysfunction in your own mind, while affecting your loved ones and the ones who want to connect with you in the process.

Be honest with yourself and with others.  The path to all light.

 

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Honesty is being true with yourself and with others. This process takes a higher mind and is not that easy to keep all the time; and so it is why most people fail at this.  Absolute honesty we may call a strength of the powerful, because it is getting over the temptation to lie and using the energy in a constructive manner, a constructive force.

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Poetry and prose from the heart. The free mind of a human god!

The mind of the fool.

“Most of the luxuries and many of the so-called comforts of life are not only not indispensable, but positive hindrances to the elevation of mankind.”  ~ Henry David Thoreau; American essayist, poet, philosopher, abolitionist, naturalist, tax resister, development critic, surveyor, and historian.


“The mind of the fool.”

…But I do think humankind is heavily drunk,

And this concerns us all for we have sunk.

What do you mean by what you just said…??

Be explicit, Master.  Please, go ahead–

When you base yourself and your life upon truth,

The true wisdom of the word could sound uncouth.

I do not mind, Master, if the word be true is power.

Trust me, my mind is open like the Lotus flower.

Well then, wisdom lies in what you cannot see,

People of the world are slaves, they cannot be.

Are their lives in turmoil, slaves to a belief…??

Are they chasing illusions which bring grief…??

Yes, they trust their physical eyes and emotions,

All pleasures with decay and painful notions.

You see, young one, the powerful eyes of intuition,

They see more, for love essence is the real fruition.

May I follow you, O Great One?  You elevate my mind.

Walk with me and perhaps true wake you will find.

See the river, how it flows without resistance…??

Or how the birds in the sky fly without assistance…??

God’s Greatest Creations of Wisdom in purity,

But instead of learning man follows impurity.

The natural oceans are like the mind of the wise:

Very vast, flowing freely, clean and without vice.

The muddy waters are like the mind of the fool:

Heavy and dark, a prison cell, where the ego does rule.

 

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Categories
Self-help life truths.

A little reminder.

“Stories are life.”

They shape our lives.
You were born, you grew up, you chose your path, you struggled in your path, then you die.
These are stories. And the way you live yours is the most important part; because karma, the change of events, the content of the realm of Akasha and your life’s records, the godly essence that moves it all, is all in the details of every moment in your life, of each present moment that you live.
Your thoughts, your words, your intentions, your behaviors (conscious and subconscious), all these are recorded and they forge your future, your destiny.

So live your life with wisdom.

 

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Categories
Anatomy and physiology of life

Spirit of the scenario.

“Drama is life with the dull bits cut out.”  ~ Alfred Hitchcock.

‘Drama’ is indeed derived from the Greek word for ‘Action.’  Drama in your story must be like your life, without the boring parts–for example, you are waiting for the bus, which is boring and has no point of tension, so in your work that part must be taken away and not showed at all, unless something of drama extremely conducive to the story is added.  Then, of course, the essence of drama is crisis; however, there is two kinds of crisis, “the hero crisis,” and “the natural crisis.”  The hero crisis is, for example, in “Mission Impossible” or “Batman,” where the hero has great abilities, sometimes fantastical and superhuman, something that you do not experience every day in your own life. The natural crisis, for example, in “Office space” or “Manchester by the sea,” where the main character or characters have really normal lives like you and me, but something happens in their normal lives which turns into drama and tension, maybe a bit of chaos and lessons from the story’s character development the audience can learn from.
So, when you are involved in your writing or somehow creative endeavor, remember that drama must keep some kind of tension to grab the audience’s attention, and this at all times; whether little tension or beastly tension, and whether a roller coaster of tension, drama is all tension, the action which absorbs the attention of the viewer or reader.  And I repeat the word ‘tension’ because this is a MUST DO in any creative endeavor.  Also, remember that you can pick between the two crisis to make tension fit in your story and genre; this reasonable and wise choice will make your story stand out and create reality, even if it is a fantastical story–i.e., reality is about how well the details and the carrying out of the story is evoked in the mind of the viewer.
A great formula for explosive drama is this one:  When it comes to the situations or the plot of the story surrounding the protagonist–  As the protagonist in your story, for example, becomes less active and more passive, less certain of his inner strength and positive purposes, so it is the ambitions, the behaviors, the wickedness and intentions of those who surround him who now have another characterization in your story.  The common compromise here is when the protagonist appears undecided and emotionally deterred for the first three quarters of the piece or art, but then that same protagonist is forced into a definitive commitment in the final quart, a positive action.  The protagonist goes through all this hardships and struggles within himself so he can learn strength and wisdom to conclude in a positive note–for example, one of my favorites, as in Rocky, where he is a nobody and really feels like a nobody, but at the end gets inner strength and great love to finalize as a champion off the hard streets.
But more complex and hard to understand for the ‘Unsophisticated audience’ is the drama where the completely passive, undecided and purposeless protagonist does not have any major change of heart.  There is always danger of this kind of story not being too popular for the masses; but, on the other hand, there is a depth here that the avant-garde types or more ‘Sophisticated audience’ will admire as true artistic innovation, mostly because it manages to avoid the obvious and delves into the deeper, emotional issues of the human being, as in “The mirror” (1975 Russian film) or “The seventh seal” (1957 film)–i.e., these films, are more philosophical in nature and try to delve into the experience of being human, the beliefs, the judgments, the essence of the mental and emotional conflict these movies, as well as books since it is about all stories in any art form, invite a lot of questions; they do not sermonize nor belittle any specific demographic but instead, it just state different opinions and let’s the audience discuss its deeper meaning and the meaning they will take away for themselves.
So whatever is your drama type, always remember tension and adapt the action to your story.

Drama is a word derived from the Greek word for 'Action._Whatever the plot or the genre is the tension must be continuous.


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Categories
Anatomy and physiology of life

Light of the story.

“I think the best stories always end up being about the people rather than the event, which is to say character-driven.”  ~ Stephen King, American author.


 

As you start to plan a story in your mind, a powerful desire to create rich plot and characters is born, something which can get your interest and burn passionately inside you, to thus motivate you to do your best all the way through the story, from start to finish but to enjoy the creative journey.  A very wise and professional way to do this and be successful at any form of storytelling, indeed emotionally connected, is to mentally personify key elements in that story, to pour and spread yourself in that story; therefore, the most important aspects of that story will be enriched if you write about things and experiences from your own life, and if each character, or at least the main character, has some features belonging to your persona, in order to make the story emotionally rich and real to the reader or audience.  Because there is no more emotion and reality you can talk about than the ones in your own persona and experience.

If you wish to create a character that is really different from you and that has no qualities which can be found in yourself, this is fine also if you have some experience watching people and understanding the psychology of others so you can make this new character pop up in your story; however, your main character (protagonist) will make or break your story, no matter how good the plot is and how much fantasy or action there is, so you will have to extend yourself into this particular character, embody this character in the flesh, know how he thinks and feels, his beliefs and his intentions (you must do this with all characters in your story, but most importantly with your main one).  This is the key to your story’s success, so do not ignore it.

 

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In the world of film-making, screenwriting mostly (the story’s true creator), it has been stated that invention is often memory in disguise.  And this means that true emotion and connection shall emerge from something you know by heart, perhaps some hint of a experience you had or some trait you have gained from your past.  See, the writer must perform in his mind, be God and be everywhere, rapidly shifting points of view that look at different characters at different moments.  The point here is to create something rich which can really move you and build a passion in you, and at the same time create something which can also move the audience and connect them to you through your work; but, obviously, if you are not successful in this process, it does not matter the wonderful scenarios depicted in your work, your art will suffer and people won’t connect to it.

I have written a screenplay, in early states of production now, called: “Michael Vega: Loose Damned.”  And for the purpose of demonstrating further, I would like to share some lines here.  I have written the main character, Michael Vega, based on me, or at least some traits:

FADES INTO BLACK, we hear rattling of chains and screaming.

EXT. ENTRANCE OF CREEK – MOMENTS LATER

The same disheveled and burned-up man comes out crawling from the quiet waters, breathing heavily while in pain.  He staggers up, looks around confused and lost.

CAMERA FOLLOWS FROM MAN’S POV, right side straight into emptiness, then left side to overlooking empty road.  On post, he sees a sign:

ASHFORD COUNTY LAKE.  HEBER 20 MILES.

Michael (V,O- Voice Over)

           “Hi, my name is Michael Vega.  That much

          I do remember…  And I’m not ordinary nor

          pathetic…”

CAMERA SHOWS HIS FULL FACE AND TORSO NOW, he looks 35 years old, wears the cool black, face significantly scarred.  He limps to rock and sits, sees visions (flashes) of flames and hears chains rattling, cackles and slaves being whipped.  Flashes stop and he agonizes in silence.  Clutches head.


(Side note:  A little explanation.  Notice how Michael is depicted here; this is basically me, because I am also 35 years old now, love wearing black jackets, and Michael also has endured a tough and “hellish” life, just like me in my real life.)


Continues…

Michael (V.O)                       

          “I did something not many do to get here.

          I’m looking for someone.  But this is all

          I will tell you for now, you don’t need

          to know more.  Just remember, I’m not

          ordinary nor pathetic.”

CAMERA PULLS OUT AND FADES IN TO BLACK, all silent except for rattling chains and screams of pain.

EXT. PAVED ROAD – SAME DAY

CAMERA FOLLOWS MICHAEL’S POV, only his heavy breathing and pained grunting are heard.  Straight view of the overlapping empty road, we see nothing but pavement, clear skies and side empty fields for a while.

CAMERA’S ANGLE CHANGES DRASTICALLY, now we see the road and his ominous shadow limping for drama scene, exhausted, about to…

6.

CAMERA SHOWS HIS SIDE BODY COLLAPSING, then zooms to face on the ground.  Centers on eyes squinting and bleeding blood.

CAMERA PULLS OUT AND FADES IN TO BLACK, all silent except for rattling chains and screams of pain…

Visit my film’s page and stay connected:  https://www.facebook.com/theloosedamned/


 

Magic Book.”

Characters, plot, subplot, tension;
All human experience, emotional connection.
What does magic have to do with storytelling…??
Well, it is all about creating worlds, human compelling.
And why does it have to be richly character-driven…??
Because rich characters create that world, that is a given.
Great movies show and then tell, never the other way around.
Excellent novels free the mind to dream and become spellbound.
I find stories and things coming alive wherever I look,
As soon as I wake up I get lost in my magic book.

~ By Asa Rodriguez

 

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Anatomy and physiology of life

The genius of storytelling.

“The fact of storytelling hints at a fundamental human unease, hints at human imperfection.  Where there is perfection there is no story to tell.”  ~ Ben Okri; Nigerian poet and novelist.

 

Storytelling is, plain and simple, ALWAYS, a performing art. You cannot be a great storyteller if you are not able to build great scenarios in your mind’s eye and specifically direct the scenes with protagonist and antagonist.  You could be a professional writer film-maker, actor, or any other, but you will never connect with any audience at a deeper human level, or bring extraordinary success to your life and craft, if you cannot arrange and control these creative energies in your mind to design incredibly moving scenarios as a great performer.  Steven King, Spielberg, Leonardo da Vinci, Mozart, they all present this creative power of performing in their minds, they arrange and position every scenario, whether is a moving picture or a still picture–it is all a story, because if it is not a story then it won’t create really deep emotion when the viewer or listener enjoys the art form.

In order to be truly creative genius, real talent which gets to the heart of the public, and, obviously, to the heart of the creator in the first place, there must exist face-to-face experience; however, this experience of the genius creator is not merely the experience of the outer environment, but it is the experience lived in the moment and created by the incredibly powerful mind’s eye.  The performance in the mind of the creator must be pristine and real, it must engage all your emotions and take over the very essence of your cellular composition, and it must feel like you are really there in the scenario and it must answer the questions you open with each movement in your mind; because if you cannot answer those questions, then, the public will not be able to answer them later, they will just walk away due to no deep human connection, specifically due to no INDIVIDUAL CONNECTION.

Extraordinary storytelling is mainly the direct or indirect sense of tension between storyteller and listener/ public, it does not matter the form of storytelling and it does not matter the genre of the story.  See, storytelling is the profound understanding of when tension is growing, remaining leveled, and when it is slackening; hence, if you are not keen or master of this process, chances are, you will not be very good at expressing yourself and connecting to people through the great art of storytelling, even though your intentions and wishes to connect may be heartfelt. 

 

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Storytelling is seizing the imagination of the audience in a subtle and/or unsubtle way, but always swiftly keeping tension and opening questions in the mind of this same audience, and this art is also connection through the screen, painting, or piece of writing.  That’s all it is.  Raw and uncut, flawed and human; because extraordinary storytelling gets close to life and we must take from it something to elevate the human spirit or to at least give us some meaning of something important to us.  Flawed and human, raw and uncut, I said, because human life itself is flawed as well; therefore, whoever seeks perfection in their art is not a true artist, due to true art being life and life being true art.

In this great art of the human experience, digressions and elaborations, your own twist and turns and individual mannerisms, are welcomed and suggested always; but, and you must pay attention to this very well, first you have to make sure the audience is hooked by the promise of something to come or some form of tension already created.  You as the creator and master storyteller cannot assume that the reader or audience will be as interested as you are in your art form, so you must project a deeper experience with some form of tension first, and once they are involved emotionally or hooked to your story then you can elaborate crazy characters and twists and turns.  This is the golden rule of all genius storytelling.

Being a master of storytelling is more than just creating art in the professional life, but it goes to the everyday life of the human being as well, for stories are all around us and they are what make human experience of value.  As a master storyteller you will connect deeper and create opportunities for yourself, motivate yourself and others to reach whatever is of importance, and emanate a sense of love into the world.

Because, remember, storytelling is life itself, and life is storytelling itself.

 

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Storytelling has amazing effects in the physical brain, because storytelling is the projection of real experience in the mind and body of the creator, and of the listener as well.  Effective storytelling elevates the human spirit, and it creates real experience which may as well sharpen the mind.

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The free mind of a human god!

Hidden power of the beast (video)

“Your intellect may be confused, but your emotions will never lie to you.”  ~ Roger Ebert; American film critic, historian, journalist, screenwriter, and author.


 

Becoming acquainted with your own emotions at a deeper level is a sign of strength, it is the most important step in knowing yourself and your value as a person.  How you feel, why you feel that way, how did that feeling emerge, and what is causing it; see, all these are extremely delicate and essential for all human beings, for your thoughts are biased and they can deceive you, but your emotions under the microscope of your own inner understanding cannot, and in fact they will build your intuition powers and your strength as an individual human being.
This is a MUST DO to achieve all growth–i.e., spiritual, mental, and physical.

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In my own experience: Once you connect with your deeper emotions, a transformation happens, you hold the greatest power, and you become a beast.

 

In this video, I talk a little bit more about it…


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Business mind.

The light to the darkness (video)

“If you don’t think your anxiety, depression, sadness and stress impact your physical health, think again.  All of these emotions trigger chemical reactions in your body, which can lead to inflammation and a weakened immune system.  Learn how to cope, sweet friend.  There will always be dark days.”  ~ Kris Carr; best-selling author, wellness activist and cancer survivor.

 

Don’t think you will be able to pay the mortgage coming up? The kids are being kicked out of school? Someone called you something you don’t like? You lost your job? Someone close to you died? You engaged into a conversation with a moron who has a very small mind? Your reaction is everything in life.
I am not saying is easy, mind you. I am not saying you shouldn’t care, mind you.
I am indeed saying that you should always think clearly, and do not become trapped by thoughts of destruction which can alter your mood and behavior thus making the problem even worse.
See, when you laugh at the problems presented in your midst and to the nonsense other people do, then you become stronger and resilient to deal with whatever happens in your life, your mind elevates and you see above your own problems, you come up with imaginative ideas and great solutions to further progress.
And so quite often, consciously or subconsciously, we allow stress to obscure our thoughts and cloud our judgement, but there is something very simple humankind can do to raise themselves above all this.
Creativity is the all-cure process which comes in many forms. But a process you must enjoy. And so this is the greatest tool of any creator.

z

 


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Poetry and prose from the heart.

Real magic.

 

Real Magic.”

 

It was a dark and fateful night

When I paced myself back and forth in pure plight;

I destroyed things and felt utterly lost

Angered, stressed, and deeply crossed.

You see, you had not done to me any wrong,

The world had not been the destructive song,

But in my own petty problems I was stranded

For the darkest recesses of my ego were expanded.

That night there were storms and quakes within my troubled mind,

No sleep I gained, buried in my own guilt, dead sentence signed.

After hours passed of excruciating pain and serious depression warning,

Then I saw through the window the beautiful morning;

There were trees smiling at me and birds singing rays of hope,

And in me something powerful arose with all the stress to cope.

It felt as if the burden was light and small

Because now the night was gone, I was transfigured,  I stood tall.

This energy kept giving me understanding and love most pure,

There emerged a peace and essence of life which was the cure;

See, now I connect to all which is good and bad through my heart,

And that energy within me grows and grows from the start,

For I am all my expressions of true bliss and things that are tragic,

I can choose darkness or light, and that is the real magic.

 

the


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Categories
Anatomy and physiology of life

Freedom of The Muse.

The position of the artist is humble.  He is essentially a channel.”  ~ Piet Mondrian; Dutch painter.


 

Many people who try writing creatively, even so-called “experts”, or any creative pursuit which involves great muse and motivation from the subconscious energies of the human being really, made the mistake of thinking more and using freely flowing imagination less.  And I suspect this is the main reason people have designed this “Writer’s Block” that is affecting most of the world’s creativity process.  Intelligence is a tool we have to criticize and analyze, to discern what is good and what is not; however, intelligence is just that, a tool, and shouldn’t get in the way of deep and great creativity, or in the way of the wonderful creative process which emerges from beyond our intelligence or intellect–i.e., which emerges from beyond the conscious, analytic mind of man.

See, the creative process involves forming wild and fantastical images, sensory, emotional and highly intuitive data in your mind’s eye; so, this must be richly loaded with free range of colors, ideas, textures, environments, situations perhaps outside of what is “normal”, etc., and therefore there is no room for the rigidity of analysis or critics–because analysis or critics may destroy the rich creativity.  Creativity must run free and inspirational, not be tied down to a certain way of society or to a rule of creation aspect.  See, using psychology and some ideas extracted from the world of thought and shape we all know is fine to give some structure to the creation itself, but this structure means limitation and rules, so the real creativity comes before all structure and rule take place, and it does not come to your mind forced by you.

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The process is not something you force like you force a thought created by a desire, but it is crucial to understand that you have to sit down and free your mind from the imposed rules and expected shapes of a narrative and characters; so, do not worry about what is strategic and real when you create a story or a character, specially when writing a screenplay (because screenwriters are mostly tied down by structure and rules), because that can come later when doing the editing work.  First you have to lose yourself in imagination, lose all inhibition and fear of messing up, without the impositions of your mind criticizing and analyzing your every mental move.  Respect the uniqueness of your higher mind (the subconscious) by letting it create apart from the noise and constant chatter of your monkey mind (your conscious).

A highly creative story is about emotional connection, perhaps of fantastical themes depending on the genre, it is about designing a new paradigm and way of experiencing in people; so, if the writer created with impositions and rules, then, the “magic” for people reading the writer’s work is gone, the substance made out of your deeper imagination is gone, marred by the rules and impositions your analytical mind has created.

Have this mentioned thought in mind whenever you sit down to write anything creative, or whenever you paint, because if you do so it will save you a lot of mental energy being wasted and stress being pushed into the process.

 

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